The Impact of Nazism on Twentieth-Century Music

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Bibliographische Informationen
ISBN/EAN: 9783205795438
Sprache: Deutsch
Seiten: 354 S., zahlr. Notenbsp.
Format (H/B/T): 2.9 x 24.5 x 17.6 cm
Auflage: 1. Auflage 2014
Einband: gebundenes Buch

Beschreibung

InhaltsangabeErik Levi Introduction Albrecht Dümling What is Internal Exile in Music? The cases of Walter Braunfels, Heinz Tiessen, Eduard Erdmann and Philipp Jarnach Lily E. Hirsch Defining 'Jewish Music' in Nazi Germany. Handel and the Berlin Jewish Culture League Joshua S. Walden 'Olden Melodies Return'. Memory in Joseph Achron's Hebrew Melody Ben Winters Swearing an Oath. Korngold, Film and the Sound of Resistance? Magnar Breivik From Surabaya to Ellis Island. On two versions of Kurt Weill's 'Surabaya-Johnny' James Parsons Hanns Eisler's Hollywooder Liederbuch and 'the new stuff of life' Juliane Brand Karl Weigl's Final Years, 1938-1949. A Story of Perseverance Kristof Boucquet The transformation of Viktor Ullmann's compositional language Katarzyna Naliwajek-Mazurek Nazi censorship in Music, Warsaw 1941 Erik Levi and Melina Gehring Paul Hirsch and Alfred Einstein. The trials and tribulations of artistic collaboration in exile Suzanne Snizek The Abyss and the Berries Malcolm Miller Music as Memory. Émigré composers in Britain and their wartime experiences Florian Scheding 'Problematic Tendencies'. Émigré Composers in London, 1933-1945 Francisco Parralejo Masa Nazism, AntiSemitism in the Second Republic Spain (19311936) Gemma Pérez Zalduondo The Musical Policies of the Third Reich in relation to the First years of Francoism (1938-1943) Eva MoredaRodríguez HispanicGerman Music Festivals during the Second World War Emile Wennekes 'Some of the Jewish musicians are back at their desks'. A case study in the remigration of European musicians after World War II The Contributors Index

Autorenportrait

Erik Levi is Reader in Music and Director of Performance at Royal Holloway, University of London.

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